Wednesday, January 30, 2019

Sundance Film Festival 2019, Monday 1/28

Bedlam (Kenneth Paul Rosenberg, 2019)

Bedlam covers the disastrous management of mental illness in the U.S today. Director Ken Rosenberg mentioned before the film that when he set out to document this crisis, he did not know that he would be a participant in the narrative. Yet indeed, mental health issues impacted his older sister and thus the director's participation in his subject matter directly. This story of the U.S. mentally ill begins with the housing of patients in state-funded asylums and "progresses" to today when these citizens are on living in the streets, filling ER beds, incarcerated, or living at home under the full-time care of families. We have an epidemic on our hands.

Bedlam, 2019

This Is Personal (Amy Berg, 2019)

Amy Berg's latest documentary describes the woman's march movement from 2016-18 and outlines the work of two incredible activists Tamika D. Mallory, and Erika Andiola. Berg deftly interweaves the local narratives alongside the national narrative in a way that is both informative and personal. The documentary allows Mallory and Andiola's stories to move from 2D internet click-bait to 3D personalities. The ending of the narrative oddly focuses on one particular issue at the expense of the entire story, so my guess will be that the doc will be re-edited before release. I hope This is Personal receives widespread attention.

This is Personal, 2019

The Nightingale (Jennifer Kent, 2019)

Jennifer Kent's revenge thriller, almost universally characterized as brutal, is set during British-colonialism in Tasmania. The protagonist Clare's family is murdered in an almost unfathomably disturbing way. Although the story develops slowly (there is no narrative economy in the vein of Spider-man: Into the Spiderverse), each detail justifies Clare's desire to track down and kill each of the perpetrators. Like Kent's 2014 film The Babadook, the rhythm of the editing is singular to the director's vision to the joy or dismay of her audience, depending on their preference. And once again, clear thematic elements, in this case including the savagery of colonization and the need for inter-racial harmony, guide the story to its conclusion.


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